Trespass 2012 – Hannah

Trespass is a dance piece that had been choreographed by 2 professional choreographers, Rob Tannion and Thomas Noone. Trespass has 2 pieces all in one; each piece is about an hour and a half for both sections of the Trespass piece. The two pieces are called ‘Within’ and ‘Splinter’.

Within is about a lone dancer where she faces her imaginary dream with a lot of loud dramatic effects and hardcore drama involving the other dancers as a four. This piece makes me feel like it’s on a 3D TV screen with really loud dramatic music blaring out at you. What I think about this piece is that it is a beautiful amazing story which tells you about a lone dancer. I’m guessing in the piece itself, all five dancers has their own dreams where they dance continuously until the end.

Splinter is a Japanese themed tradition where they bring hope, fortune, happiness, joy and war hatred. This piece makes me feel blessed and passionate about the story line plot itself where it can take you into a fantasy adventure of different words. This piece’s plot helps you understand more on what the eye can see through the dancers dancing.

Here are the venues they will be performing ‘Trespass’ at this year in 2012:

  • Salisbury  - 22 Feb: Salisbury Arts Centre, Bedwin Street, Salisbury, Wiltshire SP1 3UT – £11 (concession: £9)
  • Canterbury – 8 and 9 March: Marlowe Studio, The Friars, Canterbury, Kent CT1 3AS – £12 (concession: £11)

Hannah Sampson

Hollie’s first week at StopGAP

Ever since I heard that I would be starting as the new Intern at StopGAP I have been anticipating my first day, getting more and more excited!

The Big Day finally arrived on Wednesday 4th January. I entered the StopGAP base… where my new friendly and welcoming colleagues greeted me and began the task of gently easing me into the team.

The office, I realised, seems deceptively calm. After an introduction to the team and a breakdown of who is who in the company my head was already full of a massive amount of information. During a scheduling meeting it dawned on me how busy and active StopGAP will be this year. I cannot wait to learn more about the workings of the company. I am eager to experience as much as possible!

On Thursday 5th I helped the Dancers construct the table used in ‘Within’, easier said than done, imagine a flat pack table, then imagine numerous bolts/screws/nuts, unusual design and no instructions…that about sums it up! But completing the build was very satisfying and involved a lot of good humour and banter. Priceless.

I then joined the company class with Sophie, Chris and David, using my brain and my body more than I have in past last few weeks, I was expecting to ache the next day, and I was right! Ouch! I finished up the day by observing the Dancers at work: preparing for weekend workshops and rehearsing movement material. It was impressive to see how movement was generated and how focused and self-driven they were even at the end of the day.

Friday 6th, the last day of my first week and another day packed with information. I watched the DVD of Trespass, giving me an insight into what the Dancers are currently working on. I sent off my application for the all-important CRB check and read through some project info sheets, which I will soon be creating myself! After a chat with Abi I am ready for next week and looking forward to some more challenges. Challenge No.1: to read the company handbook, all 43 pages of it…

Hollie McGill

Sophie’s thoughts on Recruitment Workshops

From the dawn of 2012, StopGAP Dance Company will be opening their doors and inviting the curious to come wandering in. We are hosting a series of ‘Dancer Days’ up and down the country, not only to stretch the parameters of our little dancing bubble, but also with a view to recruiting a new dancer. After five happy years with the company, the winds of change are blowing me across the Atlantic to sample life on the West coast with my new Californian husband.

The ‘Dancer Days’ are an opportunity for StopGAP to meet dancers outside the adrenalin fuelled, sweaty palmed confines of an audition, and for curious and open-minded dancers to come along and meet the company. When I arrived five years ago as an access officer, it was not with the intention of eventually becoming a full-time performer with the company. I was a disillusioned dancer cum barmaid on whom risks were taken, and owing to fortuitous timing, opportunities given. Instinctively I seized them, and developed the deep-rooted passion for integrated dance and heartfelt responsibility for the company essential for any member of the team. Whether looking to recruit, or seeking employment, perhaps we don’t always know exactly what we are looking for, or what we need. What better time to call out for the curious and open-minded?

As an intimate company that spends a great deal of time together, it is essential that time is taken to find new team members. The group dynamic and often visceral relationship between the dancers is a unique and regularly celebrated element of our work. This cannot be plucked from thin air – or an audition alone! The balance of personalities in an artistic setting is a masterful kind of alchemy. Trust and intuition in abundance, combined with an imaginative and creative new dancer, could be the catalyst that allows the company to clamber to new heights, developing and refining their innovative and exemplary integrated practice (no apologies for the pressure new dancer!). We are entering a period of change, re-evaluating our progression, ambitions and our representation in the world we inhabit, time will be spent to ensure the ‘right’ person adds their voice to the chorus.

What a voyage creating the next season of rep will be, one that I personally hope will be rife with obstacles. I say this not because I will probably be sitting on the dock of the bay enjoying a clam chowder by that time, but because these obstacles are the heart and soul of our creations. Without restriction and resistance we are wading in a lukewarm paddling pool on a mild sunny day. It may feel nice but we aren’t getting far – it’s certainly no white water rafting in a lightening storm! Perhaps I am a little over-zealous with my metaphor but you know what I mean.

The creation of pioneering integrated work with StopGAP demands an expansive mind and a passion for problem solving. Blossoming in adversity is a skill necessary for the delivery of our education work also, throughout the year, by all the dancers. I was involved in a long term project that took me to Albania four times in the past year. A collaboration with the British Council, Help the Life and Vodafone Albania, we were asked to train professional Albanian dancers to teach inclusively and in turn form their own fledgling integrated companies across the country. Initially daunting, it was at times challenging, and constantly enlightening. Moments were lost in translation, and I grappled regularly with cultural divides and my own demons telling me to ‘do a fantastic job’. My eyes were opened, my inclusive practice improved, and my teaching scrutinized, explored and refined. It was a remarkable experience and ended with a surprise appearance on Albania’s ‘Dancing With The Stars’. Who’d have thought? Now there’s something to tell the grandchildren about.

There is an undertone of unpredictability and hilarity to our everyday interaction, but perhaps the most challenging times at StopGAP are in fact the humdrum days. When the nights are drawing in and it’s the same faces in the studio again and again, maybe we just need someone who will come in, put the kettle on, and then just get on with it.

Curious? You bring the biscuits, the doors are open!

Sophie Stanley

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